For today's post you're getting two dresses for the price of one! Although don't get too excited, because they're both repeat versions of recent projects (my Butterick 6556 and Seamwork Bobby dresses) so there I haven't got much revolutionary new information to share about them.
First up, here's my second version of Butterick 6556. I did always intend that my original version would be something of a test run to see how much I enjoyed wearing the dress - while I like the striped cotton that I used, it had been in my stash for ages and didn't cost that much originally so it was a fairly 'low risk' kind of fabric. Thankfully the stripey version proved very successful, so I was happy to cut into slightly more precious fabric.
In this case it's a cotton voile from Seasalt (no longer available, but they do have lots of new autumnal fabric beauties). I do enjoy sewing with Seasalt fabric, but there's a part of me that always feels compelled to sew something that's noticeably different from the garments Seasalt made with the same fabric - if nothing else because it entertains me to confuse their shop assistants when they recognise the fabric, but then not the actual garment (small things amuse me!). The dress Seasalt had made with this fabric was lovely, but definitely different from this square necked beauty so Butterick 6556 got my seal of approval for this fabric.
There's really not a lot more to say about this, because I didn't do anything at all that was different from my first version!
In contrast, my second Bobby dress has a couple of little changes, one which will be obvious if you compare it with my original one, and one which is slightly more subtle.
The obvious difference is that I shortened this one to be knee length. While I love the midi style of my turquoise blue Bobby, it seems like quite a summery length that's best to be worn with sandals. As there probably won't be too much more sandal-wearing weather this year, I thought for this version I'd try it at knee length. I shortened the skirt pattern by about 4.5", and used a one inch hem and it turned out just how I wanted.
The more subtle difference is that I used 1.5" elastic for the waist instead of the 2" called for in the pattern - for no reason other than the fact that I had some 1.5" elastic in my stash and I thought I might as well use it rather than going out to buy 2". For Bobby, you create the elastic casing by stitching a line parallel to waistline so it's easy to alter where you stitch the casing to accommodate narrower elastic.
The fabric that I used for this second version of Bobby is a great quality cotton jersey from Like Sew Amazing that I picked up at Sarah's Bristol shop at her recent summer party. It's a lovely pink - nice and bright, and the kind of colour I'll wear year-round.
On the face of it, making a couple of sleeveless dresses as summer is coming to an end might seem like a slightly odd choice but I fully intend to carry on wearing both of these dresses with cardigans and tights as the temperatures drop. I'll probably also try layering them with long-sleeved shirts/t-shirts underneath, because any dress without sleeves is fair game for use as a pinafore as far as I'm concerned! So making dresses like this is actually a good way of transitioning gradually from summer to autumn sewing for me. Have you switched seasons in your sewing already?
Showing posts with label Butterick 6556. Show all posts
Showing posts with label Butterick 6556. Show all posts
Thursday, 19 September 2019
Thursday, 22 August 2019
Butterick 6556 Dress Sewing Pattern Review
The Butterick 6556 dress has been on my radar of patterns I'd probably like to sew for some time now, so when it was included with issue 70 of Love Sewing magazine I took it as a sign that it was meant to be and snapped up a copy. I had some perfectly suited fabric in my stash, so it quickly hopped to the top of my sewing list!
Butterick 6556 is one of the Patterns by Gertie series, and so unsurprisingly has a bit of a vintage feel about it. The pattern is for a close-fitting dress with lined bodice, square front and back neckine, sleeveless or short sleeved options, a very full pleated skirt, pockets (yay for pockets!), and a centre back lapped zip.
While I have myriad patterns with a fitted bodice and full skirt, the square neckline on B6556 is something a bit different and really appealed to me.
Based on the finished garment measurements, I chose to make a size smaller than recommended for my measurements and cut a 14 at the shoulders/bust, blending out to a 16 at the waist. That worked out nicely and my toile fitted well - it was just a tad snug at the waist (fine when I was standing up but a little tight sitting down and considering that I would want to be able to eat when wearing the dress!). In my actual version I used a fractionally smaller seam allowance at the waist (probably about 1.2 instead of 1.5 cm), and that was enough to give me a bit of breathing space.
I also chose to sew the neckline with a 1 cm seam instead of 1.5 cm just to raise it ever so slightly and bring the shoulders in a touch. I'm gradually coming to the realisation that I probably have proportionately narrow shoulders, and that extra half centimetre on each side helps the shoulder straps to stay in place.
As you may have noticed, I also removed the cut-out/notch/whatever-you-want-to-call-it from the centre front neckline. This was possibly slight laziness on my part because I thought that it would take a bit of effort to get that looking crisp and perfectly symmetrical, and I didn't think it necessarily added much to the dress. I think I actually prefer the unadulterated square neckline.
I also lengthened the bodice by 2.5 cm as is standard for me. Another note on length - the skirt in the pattern is probably a bit longer than most. I often have to lengthen skirts by a couple of inches, but this is the skirt length straight out of the packet and it's bottom-of-the-knee length on me (I'm about 5'9").
The instructions were typical commercial pattern instructions - clear but brief. I did think it was a bit odd that they had you leave a gap at the shoulders when sewing the outer bodice to the lining. That's presumably to make turning the bodice/lining the right way out easier, but I managed to turn mine out perfectly well without leaving a gap and that meant that I then didn't have to hand sew the gap closed.
The fabric I used is one of the longer-term residents in my stash. It's a cotton shirting that I bought a couple of years ago, I'm fairly sure from Fabworks. It was the victim of my over-ambitious seasonal sewing plans and didn't get sewn up before the end of one summer, then got put away and has only just found its way to my sewing table. I think this pattern works quite well with the stripes. Obviously making sure they all matched up nicely took a little bit of time and patience, but I'm happy with how it turned out - especially across that centre back seam and lapped zip.
The only thing I'm not too crazy about is that the fabric creases and wrinkles as soon as you look at it, and it seemed to conspire with my camera to make the dress look a bit ill-fitting in places even though in real life it looks great. I can deal with a few creases though, and let's face it what it looks like in real life is more important than photos.
I'm really pleased with how this dress turned out. The ultimate sign that a project has been successful is when you immediately start dreaming up future versions of the pattern, and I've definitely got a few more Butterick 6556 dresses in my head already. They may not all come to fruition, but a second version is already waiting to be made using some beautiful Seasalt cotton voile - watch this space for that one!
Butterick 6556 is one of the Patterns by Gertie series, and so unsurprisingly has a bit of a vintage feel about it. The pattern is for a close-fitting dress with lined bodice, square front and back neckine, sleeveless or short sleeved options, a very full pleated skirt, pockets (yay for pockets!), and a centre back lapped zip.
While I have myriad patterns with a fitted bodice and full skirt, the square neckline on B6556 is something a bit different and really appealed to me.
Based on the finished garment measurements, I chose to make a size smaller than recommended for my measurements and cut a 14 at the shoulders/bust, blending out to a 16 at the waist. That worked out nicely and my toile fitted well - it was just a tad snug at the waist (fine when I was standing up but a little tight sitting down and considering that I would want to be able to eat when wearing the dress!). In my actual version I used a fractionally smaller seam allowance at the waist (probably about 1.2 instead of 1.5 cm), and that was enough to give me a bit of breathing space.
I also chose to sew the neckline with a 1 cm seam instead of 1.5 cm just to raise it ever so slightly and bring the shoulders in a touch. I'm gradually coming to the realisation that I probably have proportionately narrow shoulders, and that extra half centimetre on each side helps the shoulder straps to stay in place.
As you may have noticed, I also removed the cut-out/notch/whatever-you-want-to-call-it from the centre front neckline. This was possibly slight laziness on my part because I thought that it would take a bit of effort to get that looking crisp and perfectly symmetrical, and I didn't think it necessarily added much to the dress. I think I actually prefer the unadulterated square neckline.
I also lengthened the bodice by 2.5 cm as is standard for me. Another note on length - the skirt in the pattern is probably a bit longer than most. I often have to lengthen skirts by a couple of inches, but this is the skirt length straight out of the packet and it's bottom-of-the-knee length on me (I'm about 5'9").
The instructions were typical commercial pattern instructions - clear but brief. I did think it was a bit odd that they had you leave a gap at the shoulders when sewing the outer bodice to the lining. That's presumably to make turning the bodice/lining the right way out easier, but I managed to turn mine out perfectly well without leaving a gap and that meant that I then didn't have to hand sew the gap closed.
The fabric I used is one of the longer-term residents in my stash. It's a cotton shirting that I bought a couple of years ago, I'm fairly sure from Fabworks. It was the victim of my over-ambitious seasonal sewing plans and didn't get sewn up before the end of one summer, then got put away and has only just found its way to my sewing table. I think this pattern works quite well with the stripes. Obviously making sure they all matched up nicely took a little bit of time and patience, but I'm happy with how it turned out - especially across that centre back seam and lapped zip.
The only thing I'm not too crazy about is that the fabric creases and wrinkles as soon as you look at it, and it seemed to conspire with my camera to make the dress look a bit ill-fitting in places even though in real life it looks great. I can deal with a few creases though, and let's face it what it looks like in real life is more important than photos.
I'm really pleased with how this dress turned out. The ultimate sign that a project has been successful is when you immediately start dreaming up future versions of the pattern, and I've definitely got a few more Butterick 6556 dresses in my head already. They may not all come to fruition, but a second version is already waiting to be made using some beautiful Seasalt cotton voile - watch this space for that one!
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