Friday, 20 November 2015

Mortmain + Stripes

You know those times when fabric is such a bargain that you just HAVE to buy it? This dress is entirely down to one of those occasions.

I'd seen this fabric online ages ago - I really liked it, but it didn't fit in with my plans at the time and it wasn't the cheapest in the world so, after a bit of dithering, I decided to be good and leave it behind. Fast-forward several months, and I saw a link to a fabric sale where it was reduced to half price. I was sold, and instantly snapped up enough for a dress.


I was very tempted to make yet another Emery, but the fabric kept telling me that it would prefer to become a Gather Mortmain dress instead. As you can see, in the end I had to agree because I thought that it would be good to have the option of playing with the stripe direction on the waistband.

It had also been a while since I made a Mortmain (previous versions here and here) and, much though I love the Emery, it's also always nice to have a little bit of variety.


So the fabric...we already know it was a bargain, but what else do I have to say about it? I picked it up from Patch Fabrics; they don't seem to have this exact one anymore but they do have the green colourway. It's a peppered cotton, the stripes are woven and there's a slightly irridescent effect from the different coloured warp and weft threads, which you can maybe see a bit better in this close-up...


Excuse the slightly crumpled look (this was mid-sewing) and let's focus instead on the fabric -isn't it lovely? And I hope you'll excuse me if I pat myself on the back for that stripe matching. I love striped and check fabric, but I always hate it slightly when I'm cutting it out and giving myself a headache trying to get the pattern matching right. The extra effort is always worth it in the end though!

Thinking about pattern matching in sewing has made me really critical of print placement and matching in RTW clothing. I don't buy much RTW anymore (mainly because it's more fun to sew my own), but whenever I am in shops I find myself picking things to pieces! Does anyone else do the same?


Anyway, back to the dress...I'm pretty sure that it does fit me through the back in spite of what it looks like in the photo above. I'm going to blame those extra wrinkles on moving about pretending to be climbing the rocks and on the fact that, while it is lovely, the fabric does crease really easily.


Once I'd got past the hurdle of cutting it all out, the dress was a nice and simple sewing project. In addition to the fitting changes I'd made before (adding an inch to the bodice), for this version I also added two inches to the skirt. Although my first two Mortmains are an OK length, I do find that they've ended up slightly shorter than my other dresses. It's a small difference, but it's one that I do notice so I decided to do something about it.

I also omitted the sleeve cuffs for this version. This may at least partially have been to avoid more stripe matching! I just did a simple hem on the sleeves instead, but added a couple of inches to them first so that I didn't lose any length.


I'm pretty happy with this dress. I don't think I love it as much as some others, but I do like it and I can see it being worn regularly. I definitely prefer it when I'm wearing it with a cardigan like this to pick out one of the colours - I think it helps the fabric come to life a bit more. And I love it with this cute little bow brooch I found in a charity shop recently! From the 50% off fabric and charity shop jewellery, can anyone tell that I love a bargain?!

Monday, 9 November 2015

An Emery Dress for a Rainy Day

I was finishing off sewing a dress this weekend when I realised that I still hadn't got round to showing you the last dress that I made. As my semi-bare legs in the photos may hint, I've had the photos ready to go for about a month but they've been neglected waiting for the writing to accompany them. I blame a slightly stressful month in terms of work. It wasn't anything major, and stress levels in my job are definitely nothing compared to many professions, but it was enough to make sitting at a computer again the last thing I wanted to do at the end of the day. Thankfully that's all over now, so here's my (kind of) new dress!


As you may have guessed (or read in the title), this is my latest iteration of the Christine Haynes Emery dress (previous versions: 1, 2, 3, 4, 5, 6). I made no changes other than my standard fit adjustments that I've mentioned in my other Emery posts.


This time, I chose to make it in a fun umbrella print from the Dashwood Studio Rain or Shine collection. I bought the fabric about 6 months ago because I found it with a great discount, but always intended to leave it until early autumn to sew up when umbrellas would probably be more weather-appropriate. Not that I didn't need my umbrella during the summer, but I always like to be optimistic!


I also always knew that this fabric would become an Emery dress because I think it's a great pattern for showing off a fun print. It's also undoubtedly my favourite pattern, mainly because I know that I'm always going to end up with a dress I love. If ever my motivation to sew is slightly lacking, or I've been left disappointed by a project, I know that making an Emery will put everything right again. Do you have a magic pattern that does the same for you?


Having extolled the virtues of the Emery, I have to sightly contradict myself and say that this one almost didn't have a happy ending. I was trying the almost-finished dress on when I got the bodice lining stuck in the zip. Completely, totally and utterly stuck. And I was stuck in the dress too. I momentarily debated which would be the less bad option between cutting and ruining the dress to get it off, or going round to one of my neighbours (who I don't know very well) to ask for help, but finally I managed to find some contortionist skills to free myself, and that made releasing the lining much easier. Please tell me I'm not the only one who's done that?!


Anyway, thankfully I can put that little crisis behind me and get on with enjoying my pretty new Emery! I've got a couple of other finished and nearly-finished projects ready to show you, and work has now returned to normal so hopefully I'll be back to enjoying blogging again instead of hiding away from the computer. See you soon!

Friday, 16 October 2015

Tipi!

Today, I interrupt my usual stream of girly pretty things to bring you something a little different - a tipi!


It was my nephew's first birthday the other weekend, so obviously I needed to make something suitably fun for him.

The idea to make a tipi first came to me by chance when I was mistakenly sent the checked fabric you see here instead of what I'd actually ordered. The problem was quickly sorted, but the company said that I could keep the fabric they'd originally sent as well as the right stuff. To me, it seemed to be begging to be made into something for children, and I had masses of it so it might as well be something big; enter the tipi!


I decided that having all of the sides in the check might be a bit too overwhelming though, so wanted to get something plain to go with it. The canvas that I ended up using also came from a slightly unusual source, namely an army surplus shop. It's a really good quality fabric, and I picked up a massive piece for just £10. So combine that with the check fabric, which was effectively free, and bamboo canes which I stole (with permission!) from my parents, and it turned out to be a fairly cost-effective present.


To make the tipi, I basically followed this tutorial but calculated my own measurements based on the canes that I was using, although they ended up being not all that far away from the ones in the tutorial anyway.

I left off the extra embellishments used in the tutorial - I thought that with the busy check fabric it didn't really need anything extra and it possibly looks a bit more boyish plain anyway.


The only other slight difference is that I used buttons for fastening the tie backs on the front "door" sections instead of velcro, mainly because the velcro that I could have sworn I had seems to have disappeared. Rather appropriately though, the two buttons that I used were actually left over from a pack of buttons I got to use on a little coat I made for my nephew last Christmas which now fits him just right!

The tipi was pretty simple to make, after all it does just involve sewing a lot of straight lines. The only slight difficulty was manoeuvering the large amounts of fabric through my machine, but even that wasn't much of a hassle.


As you can see here, my nephew was very excited at the arrival of the tipi - although at first he did seem to think that it was just there for him to pull down! I think he has now realised it's quite fun to leave it standing and have a place to play too.

I really like making presents for people (well, people who I know will appreciate them anyway!) and, even though it seems ages away at the moment, I've already started making a list of present ideas for a certain day in December. Where do you stand on making presents?

In the meantime, I've got a finished dress that needs to be blogged so normal girly-pretty-things service will resume soon! See you then!

Friday, 2 October 2015

Anyone for tea? New Look 6723

I warn you now, today's post may contain excessive gushing about fabric. Why? Because this dress, my second version of New Look 6723, is made of what may be some of my favourite material I've ever used.


I'm also likely to spend more time talking about the fabric because, in terms of construction, this dress is exactly the same as my first New Look 6723, so there's not a lot new to say!

As a quick recap, I made view D and used a size 14 at the shoulders and graded out to a 16 from the bust downwards. I also elminated the centre front bodice seam, added pockets (from the Emery dress) and used an invisible zip instead of the lapped zip used in the pattern.


So that fabric...it's a Liberty lawn from the Alice in Wonderland themed Spring Summer 2015 collection, and the print is called Suzy Elizabeth. Like many Liberty lawns, the small-scale print means that from a distance it looks like a bit of a random pattern, but look at it closer and its true fantasticness is revealed.


Hopefully this close-up lets you see the host of teapots, teacups and general tea party paraphernalia - it's really fun!

I loved the whimsical print as soon as I saw it online but, let's face it, Liberty don't produce the cheapest of fabrics around and my sewing budget is unfirtunately not limitless. Some things are worth paying for though, and the combination of what I know is a beautiful base fabric and a print that I adore seemed like it would be one of those things.


So, I decided to be a bit of a geek and save up for it. I had a little piggy bank that I'd been given with some chocolate in it at Christmas, which I put on my mantelpiece and every time I ended up with a few pound coins in my purse, I'd put one in the piggy bank. It's amazing how quickly the fund builds up without you even noticing! Has anyone else ever done that or am I just weird?!


Luckily for me, the saving process was cut short by Liberty putting the fabric in their sale, making it cheaper than any of the other sources of Liberty online, so I snapped up enough for a dress, and then I just needed to decide what pattern would be the lucky recipient of this beauty. As it's undoubtedly my favourite pattern, the Emery dress would have seemed like the obvious candidate, but I think that it's better with a slightly larger print so I decided not to use it this time. I was really happy with my first 6723 though, so that's the option I went for - and I'm really happy with the results!


I love both of my versions of New Look 6723, but what I think I appreciate most of all is the fact that the different scales and colours of the fabrics that I used makes them look like totally different dresses. The floral fabric of my first version is definitely a medium-weight cotton too, so feels very different to wear from this floaty lawn. Isn't that one of the lovely things about sewing? There are so many variables that can create such different garments.


It might seem like a strange time of year to be making a sleeveless dress in England, but there are lots of colours hidden in the the details in this print, which to me means plenty of cardigan options for warmth. I also think the dress will work paired with tights, so I'll still be wearing it for a while more this year. And the best thing? I just made a teapot necklace so now I have the perfecct accessory for my handmade dress! What have you been making recently?

Tuesday, 22 September 2015

Crochet: Amazing Technicolour Dream Shawl

This is the blog post that didn't want to be written. Don't ask me why - I love the shawl that I have to show you today, and I enjoyed making it, so it's not down to any lack of enthusiasm. It's been finished for over a month, and I've had the photos ready to go for more than a fortnight, but for some reason whenever I sat down to talk to you about it I wasn't sure what to say. Writer's block is a bit of a melodramatic term to use for this little blog of mine, but that's what it felt like. Has anyone else had that problem?

Anyway, I decided that I needed to just get on and write something, so here's my amazing technicolour dream shawl...


The pattern is the Flower Mosaic shawl which appeared in issue 64 of Inside Crochet. I saw it on the cover when I was browsing the craft/sewing magazines, and instantly loved the riot of colour. I didn't have a crochet project on the go at the time, so I ordered the yarn and got started.


The shawl started off life back in April as this pile of balls of Scheepjeswol Cotton 8. The original pattern uses more colours, but there were some in there that I wasn't so keen on so I decided to limit it to 12. That's the minimum number that the pattern recommends, and I'd agree with that - you wouldn't want to have less than this if you want to not have 2 flowers of the same colour too close together. For reference, the colours I used were turquoise, light blue/green, fuchsia, purple, pink, white, grey/blue, cobalt, petrol, canary, orange and red.


The shawl is made up of 1,035 little flowers, which are joined together as you go. Joining as you go is definitely the best way for me to make projects made up of lots of individual motifs - I have a pile of various crochet squares that were destined to become a blanket which are testament to the fact that I get bored of projects that are going to involve lots of seaming at the end!


1,035 seemed like quite a daunting number at the start of the project, but it was surprising how quickly the shawl grew. I mainly worked on it in my lunch breaks, so lots of fairly small chunks of time, which were perfect for this because it was easy to pick up and put down and each flower was finished pretty quickly.


I had a self-imposed rule that I had to weave in the ends from each day's flowers before I could start doing more flowers the next day, because if I'd finished crocheting and then had to weave in 2,070 ends then the shawl would have been left neglected in a corner with the offending ends staring at me in an accusatory manner whilst refusing to weave themselves in.


I had to go up from a 3mm hook to a 4mm one to get the gauge used in the pattern, but I think my gauge might have decreased as the project went on because my finished shawl is still smaller than the dimensions stated. That's no surprise though - I obviously take all my stress out on crochet and make it super tight. When I did my crochet course, everything I made turned out smaller than it did for everyone else in the class! Hey well, better to transfer the stress to the crochet than having it fester inside of me!


I just have one problem with this project - I need to work out how to wear shawls more elegantly! Whenever I put it on, it just looks a bit of a mess. I need get better at that though, because I seem to be drawn to shawl patterns much more than scarves for both knitting and crochet. Has anyone got any tips for me?